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Interflugs statement on the ongoing negations about an ASV-Satzung
The general process of writing a Satzung for Interflugs
About a year ago the president of UdK, Martin Rennert, approached Interflugs in a meeting together with AStA and StuPa representatives with the request to formulate guidelines for a legal framework for the ASV/Interflugs – a so-called „Satzung“. Since then, long negotiation processes have taken place, and Interflugs has repeatedly been left out of the discussion. We demand to be included, and we are committed to help untangle the misunderstandings in the communication.
To us, the more students are involved in this discussion, the better, hence our support for the calling of a general assembly, surely the most democratic of all instruments available to the students.
A culture of feedback and negotiation among all students who utilise Interflugs, is needed in order to balance the “freer form”, and is warmly invited. We are also open to developing structures of oversight of our work that are more immediate, but we defy attempts at direct interventions into the strucures of decisionmaking. Interflugs follows strong principles both in our appointment procedures as well as funding decisions, to support people and projects who are subject to structural discrimination due to e.g. gender, race, origin, sexuality, ability status and class backgrounds, in order to increase the possibility of academic participation.Conception of “ASV”
interdisciplinary curriculum independently led and conducted by students as an addition to the regular curriculum of UdK, with a specific focus on new media and interdisciplinary practices that were underrepresented at the time.The president of UdK has brought forward a list of non-negotiable points for a Satzungs-paper for Interflugs is or should be in some form a political organ in the sense of representative democracy within the university. This has never been the case. From the outset, Interflugs/the ASV and its Beirut were there to do sentential work, not representational work. This does not mean that the guidelines along which Interflugs takes decisions, are not political. Making infrastructures of artistic production and reflection as accessible as possible is a political concern, though not in a representational sense, especially when it is about empowering minorities. It has never been the task of interflugs to solely represent the student body within the university. This is the task of StuPa and AStA.
The work of Interflugs has been to provide courses, lectures, workshops and infrastructure for creation and critical, interdisciplinary thinking, and in order to do this well, some certain skills and a balance thereof in the group are necessary (e.g. IT skills, film and audio editing and recording skills, just to name a few; in the frame of our rotation these skills then get passed on as much as possible). This is best judged by the group from their every day practice and experience that includes feedback from students who use Interflugs’ facilities.
Having the ASV modeled after a conventional representational structure, conflicts with its actual focus, and added bureaucracy would distract from its work. It also unnecessarily doubles (in an incomplete way) structures that already exist. We support the diversity of organisational structures among the different student initiatives at UdK.
The internal structure of Interflugs
The president’s demand to divide up the different areas of responsibility within Interflugs equals the demand to divide the group into something resembling professors, workshop techs, and administrative workers, disempowering the latter two groups from contributing to curricular and funding decisions. We strongly oppose this, since it runs counter to our non-hierarchical principles, which are also reflected in our practice of rotation of tasks.As a compromise we propose to name two people from Interflugs responsible for the finances, as acting Geschäftsstelle, each year – we believe this weight should be shared, not carried by one person alone. We also remain open to ideas for an alternative scenario of checks and balances, in which for instance a studentische Frauenbeauftragte, or the AStA Referat for Anti-Discrimination or both could play a role in holding us accountable to our guidlines. Furthermore, we agree to present our guidelines to the StuPa for a legitimising vote.The freezing of the budget
It is with great sadness and irritation that we find ourselves pressured by the president’s announcement in an email from October 18th, to withhold the budget for the ASV project funding and course programme that includes two larger student initiatives we have started funding this year, who diversify and further substantiate the ASV programme and are supported but not run by the Interflugs team. Interflugs has never acted as purely a place of service, but the president has announced to restrict us to business as usual in the Ausleihe and editing rooms, with no resources to put on workshops to pass on the knowledge needed for the correct use of some of the tools available. All this would be to the disadvantage of many students and we strongly urge the president to reconsider his position and give everyone involved the time needed to come to an agreement that we can all stand behind. We are ready and willing to continue to be part of negotiations towards certain changes, just not with this kind of pressure from above, and not at the cost of student projects and initiatives that might not be possible without this funding, especially the recently formed Klimaklasse and I.D.A Initiative. -
workshop: Thoughts on Hybridity and Material Kinships
Organisms and insects being able to biodegrade different sorts of synthetic plastics points towards a transformation of our ontological assumption and prompts speculations about different form of hybrid kinships.
In this two day workshop we will begin by looking at the mealworm- who are actually no worms at all but the larvae of a flour beetle. Our specific interest will be to investigate their behavior and how they break down the most widely used plastic, polystyrene (and polyethylene), into carbon molecules.
Polymers are materials constructed with long, repeating chains of molecules. The word itself is often used to describe plastics- which are ‘synthetic polymers’, but also natural polymers exist- such as rubber and wood. In the conclusion of the workshop, we will experiment in the making of our own polymer structures out of organic and regenerative materials to integrate into our own creative practices.
About Facilitator:
Petja Ivanova founded “Studio for Poetic Futures” in Berlin out of frustration with the domination of the scientific method in the field of (computational) art. She works with electronics and organisms to explain which forms poetry can take in media art and art with complex systems.
https://www.poeticfutures.net/ -
ATTENTION:
on 18.11.2019, the Ausleihe closes at 15.00!!!
Rückgabe: 13.00-14.00 as usual
Ausleihe: 14.00-15.00 -
Making films against the plot
registration at : @
*limited # of participants*
Priority given to women, trans and non-binary persons
@ Room 9, Hardenbergstrasse 33, 10623In the first years of the history of filmmaking, editing was a task delegated to women, because it was considered a technical process which required patience and ability with hands. Since the montage was recognized as an intellectual work and fundamental to the construction of a narrative, men dominated this field as well, intensifying male modes of production in Film.
In this workshop we will look into the history of filmmaking under feminist perspectives, while focus in the film editing. We will investigate and discuss together approaches and strategies of creating narrative and narrativity, which shift terms of patriarchal representation.
With a glimpse into editing theory, notions of time, space and rhythm in filmmaking we will do some imagination exercises and with the use of found footage we will work together to construct a narrative “against the plot that frames woman as narrative image, object, and ground of cinematic representation.” (De Lauretis, 1987)ARTIST BIO
Alice Dalgalarrondo (1985) is a multimedia artist, editor and filmmaker from Brazil living in Berlin. She holds a bachelor of Media Studies from the State University of Campinas (Unicamp) and a postgraduate degree in Art and Media from the University of Arts (UdK), Berlin. From 2015 to 2017 she was a DAAD-Scholarship holder and 2018 she got the Elsa-Neumann-Stipendium des landes Berlin. In her works she analyses and interprets media and social phenomena by building imaginary spaces and temporalities. Her last works were exhibited at Kasseler Dokfest 2015 – Kassel, Transmediale – Berlin, Museum für Fotografie – Berlin, Oberhausen Short Film Festival 2017 and at Transacciones Informales Festival – Bogotá.
https://cargocollective.com/alicedalga -
Autonomous Archiving Workshop
Autonomous Archiving Workshop I-II
Videograms of Civil Disobedience on Non-linear Timelines
15-16 November 2019 @ 14:00 – 18:00registration at : @
@ Room 9, Hardenbergstrasse 33, 10623Against the conventional way of producing images and distributing them, bak.ma is forming a new approach for critical archiving, streaming, and online-editing. Our aim is not to teach/learn from point A to B in a linear way. It is rather all together on an equal base to discuss ‘what to do/what could have been done’ concerning the politics of image, archiving, open-source, and their intersections. For instance, our practices of collecting videos, films, texts from various groups, people, organizations brought us to create an autonomous pool of images for communities to grab images digitally on an online archive. This collecting practice would also be applied in Berlin and/or in other places.
The workshop considers the participants as an extended part of our archive collective bak.ma. With the images brought by the participants, we intend to create a category/location/time/tag/content/description on bak.ma. In this manner, regardless of raw material or already edited video, we will upload images to bak.ma to share the completed work. The aim is to expand bak.ma through regions and think about the notion of ‘autonomy of images.’ Within the workshop, we would like to create a network for future collaborations. The group members should see themselves as ‘social movement archivers.’
The workshop is designed in two parts/two days: 4/4 hours. In general, we will focus on the aspiration, motivation, and necessity of a counter-archiving practice from the perspective of bak.ma digital media archive of social movements. We intend to provoke engagement to a collective consideration of the practices of an open, accessible, and a non-hierarchical archive. On the first day/part of the workshop, we will focus on the surveillance mechanisms on the Internet, counter-image production under collective labor conditions, and distribution tactics. To discuss the visual tactics of video activist practices in a more collective format, we ask the participant to bring the video recordings that they made at political actions and would then be available to upload on the online archive. The workshop targets to exchange knowledge and experience through discussions and screenings. On the second day, we will focus on pan.do/ra software and how to use it. pan.do/ra software is a free, open-source media archive platform that allows managing large and decentralized collections of videos by allowing collaborative creation of metadata and time-based annotations.
About bak.ma
bak.ma reveals the near political history of Turkey and in several other regions with audio-visual recordings, documentation, and testimonies such as the Gezi Park uprising in 2013, TEKEL (tobacco) workers’ resistance in 2009-2010, May Day marches and various other protests from the 1960s until today. Specific political movements from other parts of the world, such as immigrant solidarity movements or the autonomous movement in Northern Syria, are accessible. The members of the archive collective gather visual recordings and documents made by various media activists, groups, and actors of incidents.Workshop-I Coordinators
Elif Çiğdem Artan submitted her doctoral research in humanities at TU Berlin-Center for Metropolitan Studies. Her dissertation is entitled “The Future of the Present: Autonomous Archiving of Activist Videos.” She is currently scholar researcher at DaMigra e.V. and curator and coordinator of Federal German Migrant Women Association’s Bibliothek der Generationen project at Historical Museum Frankfurt. She is a co-founder of the Museum Professionals Association in Turkey. Her research interests span the fields of museology, urban, and digital culture.Ömer Şamlı lives and works in Berlin. Studied political sciences and involved in video art and activist collectives such as Artıkişler (Istanbul), Leftvision (Berlin), bak.ma (Istanbul, Berlin) and producing images, texts, actions, videos, documentaries, archives, screenings with other members.
Özge Çelikaslan member of Artıkişler and bak.ma archive collectives, she has been involved in artistic, academic, political projects focus on forced migration, displacement, urban labor, commoning practices, and archiving social movements. She pursues her academic research on the politics of image through counter-archive practices at Braunschweig University of Art (HBK).
Workshop-II Coordinators
Jan Gerber and Sebastian Lütgert, both from Berlin, are the creators of the pan.do/ra video archive framework. Since 2000, they have initiated a variety of collaborative projects – laboratories, screenings, conferences, websites and software platforms – usually at the intersections of art, politics and technology. Examples are Bootlab, Pirate Cinema Berlin, Dictionary of War, The Oil of the 21st Century, 0xDB, Pad.ma, Indiancine.ma and Open Media Library.
